It was still morning, and the quiet of the huge Evergreen Cemetery was broken only by the idling engine of Otis Chance’s big yellow backhoe. The machine was parked at the edge of the cemetery’s Ascension Section, a few yards from Yusef Hawkins’ grave, a few hundred yards from where Michael Griffith, victim of the Howard Beach racial attack, was buried on the day after Christmas in 1986. Otis Chance dug both of those holes in the sandy Queens earth. “I even carried Michael Griffith’s coffin,” he said. “You don’t always know who they’re for, but the foreman told us yesterday this one was for Hawkins,” said Chance, a 34-year-old black man who owns and lives in a house in Brooklyn’s Williamsburg section. “It’s a tragedy, a damn shame, nonsense, stupidity,” he said, shaking his head. “It was the same way with Griffith—it didn’t make any sense, what happened. You feel so bad, so sorry for the families.” (Daily News, Aug 31, 1989)
Evergreens Cemetery is a non-denominational burial ground created in 1849 that spans 225 acres along the Brooklyn-Queens border. Prominent landscape architect Andrew Jackson Downing designed the grounds, and the results were described as “a perfect rural cemetery” by one 19th-century guide to New York City cemeteries. The wooded landscape includes winding paths traversing an undulating terrain, high points that offer scenic vistas of the Manhattan skyline and Jamaica Bay, and a picturesque Gothic Revival chapel designed by architect Alexander Jackson Davis in 1849/50 (now used as an administration building).
Evergreens is the resting place of over 526,000 people of diverse religious and ethnic backgrounds; among the notables interred here are dancer Bill “Bojangles” Robinson, jazz musician Lester Young, and world chess champion William Steinitz. Distinctive plots include the Seaman’s Grounds, which hold the remains of more than 1,200 sailors; Celestial Hill, one of the early burial grounds for New York’s Chinese immigrants; and the Actors Fund Plot, where 500 members of the entertainment industry are interred. Also of note is the Triangle Shirtwaist Fire Memorial, a haunting monument to several victims of the 1911 Triangle factory fire buried here; the victims’ names, unidentified for a century, were uncovered in 2011 through the persistence of researcher Michael Hirsch and have been added to the memorial.
The graves of Michael Griffith and Yusuf Hawkins—both victims of late-1980s racial attacks—are in an area of modest graves on the northern side of Evergreens Cemetery. Unlike older sections of the cemetery that are named for pastoral features such as Sylvan Dell, Lake View, and Hickory Knoll, these newer sections are named for biblical themes. In the Redemption section is the burial place of 23-year-old Michael Griffith, killed in 1986 when he was struck by a car as he was chased onto a highway by a group of young white men in the Howard Beach neighborhood of Queens. Three years later, 16-year-old Yusuf Hawkins was laid to rest in the nearby Ascension section after he was shot to death during an attack by a white mob in Bensonhurst, Brooklyn. The peacefulness of the gravesites of these two young men is a stark contrast to the anguish and civic unrest that followed their deaths, one of the worst periods of racial tension in New York City’s history.
Sources: The Cemeteries of New York(Judson 1881); The Eagle and Brooklyn: The Record of the Progress of the Brooklyn Daily Eagle…(Brooklyn Daily Eagle 1893); Green Oasis in Brooklyn: The Evergreens Cemetery 1849-2008(Rousmaniere 2008); The Evergreens Cemetery—The Cultural Landscape Foundation; The Evergreens Cemetery; “When Jack Tar Dies in Port—A Final Resting Place in the Evergreens Cemetery,” New York Times, May 28 1893;“He’ll Bid Yusef His Last Farewell,” New York Daily News, Aug 31, 1989; “100 Years Later, the Roll of the Dead in a Factory Fire Is Complete,” New York Times, Feb 20, 2011; “The Story Behind HBO’s Yusuf Hawkins: Storm Over Brooklyn,” Time, Aug 13, 2020; OpenStreetMap
Mount Olivet Cemetery is one of over a dozen cemeteries developed along the Brooklyn-Queens border after the New York legislature passed the Rural Cemetery Act in 1847, spurring creation of new large-scale cemeteries throughout the state. In 1850 a group of Episcopalian businessmen from Brooklyn and Manhattan incorporated Mount Olivet and acquired a tract of farmland near the village of Maspeth in the historical Newtown township, Queens. The founding trustees originally intended to allow only Episcopalian funeral services within the cemetery but lifted this restriction by the time the cemetery opened to the public in 1851, making Mount Olivet entirely non-sectarian. In November 1851, Mount Olivet’s trustees ran an ad in the New York Times announcing that the cemetery was ready for interments, enticing buyers with the following description:
It combines all the attractions appropriate to a place set apart for the unmolested repose of the dead and its corporate privileges exclude the possibility of any disturbance in the future. The soil is dry; the surface elegantly diversified with wood and water, lawn and thick; and from some of its eminences, most magnificent views of the Cities of New York, Brooklyn and Williamsburg may be obtained. The rules and regulations adopted by the Trustees are identical to those of Greenwood Cemetery and the prices of lots have been fixed at very moderate rates and less than half those charged at Greenwood.
Mount Olivet’s 71 acres extend from the main entrance on Grand Avenue in Maspeth to the rear entrance on Eliot Avenue, which separates it from Lutheran/All Faiths Cemetery to the south. Its open policies and affordable lots attracted many religious, fraternal, and benevolent associations, and groups such as the American Legion, the Masonic Merchants Lodge No. 709 F.&A.M., the Sociedad Espanola de Beneficencia, and the German Evangelical Home for the Aged acquired plots, as did churches and religious societies of many denominations. The cemetery’s undulating terrain features picturesque buildings, beautiful plantings, and a patchwork of multicultural graves and historical monuments. It is the final resting place of approximately 100,000 people, including colonial settlers, Civil War veterans, African American trailblazers, Russian nobility, fallen comrades of America’s labor and civil rights movements, notorious gangsters, and one of the country’s first self-made female millionaires.
Many families with long ties to historical Newtown acquired plots in Mount Olivet Cemetery after it opened, choosing the modern cemetery over the farmstead burial grounds or churchyard plots used by previous generations. One of these families was the Halletts, who have a large plot along the central road at Mount Olivet. The Hallett clan, led by patriarch William Hallett, emigrated from England and settled in the Astoria area of Newtown in 1652, remaining prominent in local political, business, and social life into the 20th century. In 1905 bodies and tombstones dating back to the 17th century were moved from the old Hallett burial ground at Astoria Boulevard and Main Avenue to Mount Olivet. One of the monuments in the Hallett plot at Mount Olivet carries a bronze plaque denoting the family’s colonial history.
In 1885, Civil War veterans living in and around Newtown organized a Grand Army of the Republic Post, naming it Robert J. Marks Post No. 560 in honor of a local soldier who died of wounds received in battle in 1864. One of the post’s first orders of business was purchasing a fraternal burial plot in the northeastern section of Mount Olivet on which they erected, in 1889, a 12-foot-tall granite monument depicting a Union soldier at parade rest and wearing his overcoat. Among the veterans interred in the Civil War soldiers’ plot is Jeromus Rapelye (1834-1913), known to his Grand Army friends as “Fair Oaks” for injuries he sustained at that Virginia battle site in 1862. Rapelye was a founding member of Robert J. Marks Post, noted for marching at the head of the group during their annual Memorial Day exercises and for personally visiting every soldier’s grave in Newtown to decorate it with flowers.
The Japanese Mutual Aid Society, founded in 1907 by Dr. Toyohiko Takami, purchased a plot of land at Mount Olivet Cemetery in 1912 for Japanese immigrants who died in New York without family here to arrange for their burial. Located at the south end of Mount Olivet, this plot is the city’s oldest Japanese burial ground and burials are still occasionally made there. Continuing the legacy of Dr. Takami, the Japanese American Association of New York holds an annual Bosankai, or grave attendance ceremony, at Mount Olivet to honor the ancestors and early Japanese New Yorkers interred there. Each Memorial Day a group attends the ceremony, conducted by Buddhist priests and Christian ministers. After completing the service at Mount Olivet, the group proceeds to Cypress Hills Cemetery where they repeat the ceremony at the Japanese American section there.
The distinctive three-barred cross of Eastern Orthodoxy surmounts many monuments at Mount Olivet Cemetery, marking the graves of immigrants and descendants from former Soviet countries, the Middle East, and the Balkans. New York’s growing Eastern Orthodox community began acquiring extensive grounds at Mount Olivet in the early 1900s, and the Russian Orthodox Church erected a small chapel in the southeast corner of the cemetery. Due to its affiliation with the Eastern Orthodox community, Mount Olivet is the burial place of a number of members of aristocratic families who immigrated to New York when the Russian Empire was overthrown. One of these exiled aristocrats at Mount Olivet is perfumer Prince Georges Vasili Matchabelli, descendant of the royal house of Georgia in the Transcaucasia, interred here in 1935 following a three-hour funeral service at Manhattan’s Russian Orthodox Church of Christ. Just steps from Matchabelli’s grave at Mount Olivet is the burial spot of Polish-born cosmetics tycoon Helena Rubinstein (1872-1965). Famous for rising from Krakow’s Jewish ghetto to become one of the world’s richest businesswomen, Rubinstein rests beside her second husband, Prince Artchil Gourielli-Tchkonia of Georgia.
Three political activists killed in separate altercations with police during labor and and civil rights protests in 1930 are interred at Mount Olivet Cemetery. In January of that year, 400 members of the Communist Party of the United States accompanied the body of Steve Katovis, a Greek vegetable-market clerk shot down in a clash between police and striking market workers in the Bronx, to Mount Olivet for interment. On July 1, 1930, Alfred Luro (a “Negro Communist,” according to news reports) was laid to rest at the cemetery when he died following a scuffle with police during a political protest in Harlem; Mexican organizer Gonzalo Gonzales, killed at a memorial rally for Luro, joined his deceased comrades at Mount Olivet. A monument marking the grave of Katovis and Gonzales is carved with symbols of the International Labor Defense, the legal arm of the Communist Party in the United States. At the bottom of the marker are the words “Martyrs in Labor’s Cause.”
Perhaps the most infamous figure buried at Mount Olivet, Prohibition-era Irish gangster Jack “Legs” Diamond was interred in a hastily-dug grave in a remote corner of the cemetery after church authorities refused his widow’s request to have him buried in consecrated ground at a Catholic cemetery. Nicknamed “the clay pigeon of the underworld” for surviving numerous attempts on his life, Diamond’s luck ran out when he was shot to death in an Albany rooming house in December 1931. His widow Alice was murdered in her Brooklyn apartment two years later. Diamond’s burial spot eludes modern curiosity seekers—he and Alice are buried in unmarked graves at Mount Olivet, and their location is not disclosed to the public.
Sources: Dripps’ 1852 Map of Kings and Part of Queens Counties, Long Island N.Y.; Mount Olivet Cemetery; Mount Olivet Cemetery (1851); “Mount Olivet Cemetery,” New York Times, Nov 12, 1851; The Cemeteries of New York (Judson 1881); “Founding Family’s Monument Updated,” Queens Chronicle, Aug 25, 2011; “Died for the Union,” Brooklyn Citizen, Nov 11, 1889; “Jeromus Rapelye,” Newtown Register, Aug 14, 1913; “Sgt. John L. Davis’ Funeral Impressive,” Amsterdam News, Apr 7, 1926; “‘Gabriel’ Dies,” Amsterdam News, Jan 15, 1949 p5; James R. Lockley, New York Age, Nov 30 1957; “Macbeth the Great, Calypso Singer Dies,” Amsterdam News, Feb 2, 1957; “Bessie A. Buchanan, Ex-State Aide, Dies,” New York Times, Sep 11, 1980; “A Place for All Eternity In Their Adopted Land,” New York Times, September 1, 1997; Japanese American Association of New York; “Russians Open Chapel Closed in 1923 Strife,” New York Tribune May 10, 1937; “Prominent Russians Mourn Matchabelli,” New York Times, Apr 4, 1935; “Helena Rubinstein Dies Here at 94,” New York Times, Apr 2, 1965; “Red Rally Orderly Under Police Guard,” New York Times, Jan 29, 1930; “3 Police Handle Parade of 3,000 Reds at Funeral,” New York Herald Tribune, Jul 2, 1930; “Honor Fallen Red,” Amsterdam News, Jul 9, 1930; Steve Katovis—Steve the Red (Vogias 2016); “Niece, 13, Leads Last Rites for ‘Legs’ Diamond,” New York Herald Tribune, Dec 23, 1931; “Play Pals, Big Shots Shun Diamond Grave,” Daily News, Dec 23, 1931; Resting Places:The Burial Sites of More than 14,000 Famous Persons, 3rd ed. (Wilson 2016); OpenStreetMap
A keen-eyed observer passing by one of the buildings of the Lambert Houses, a massive, low-income residential complex near the Bronx Zoo, will find an odd detail. Bolted to the 1970s-era, orange-brick structure at the corner of Boston Road and East 180th Street is a mangled metal sign, its faded hand-painted lettering offering guidance to “West Farms Soldier Cemetery, Bronx Landmark, 1 Block West.”How and why this marker was placed on one of the megastructures at this troubled complex is a mystery—and one that will be lost as the Lambert Houses are currently being demolished and redeveloped. In any case, this curious public notice offers a delightful link between the modern, urban Bronx neighborhood of West Farms and the old rural village that is its namesake.
Located at the corner of East 180th Street and Bryant Avenue, the burial ground known today as West Farms Soldier Cemetery is an oasis of calm near the edge of the Lambert Houses. Although 40 veterans of four wars—the War of 1812, the Civil War, the Spanish American War, and World War I—are interred here, the soldiers are only a part of a long and varied history of this cemetery, which served as a churchyard and a community cemetery beginning in the early 19th century.
In 1814, the trustees of the First Presbyterian Church of West Farms—then a “flourishing little village” of about 300 inhabitants, located 12 miles from New York City at the head of the Bronx River—acquired two parcels of land on Samuel Street (now 180th Street) to establish a church. The church, surrounded by a graveyard, was built in 1815 atop a hill on the north side of Samuel Street, about 200 feet west of the old Boston Post Road. The trustees designated part of the second parcel of land, located on the south side of Samuel Street, “a graveyard for strangers and black slaves.”
As West Farms began to grow in the 1820s, John Butler acquired a parcel on the east side of the Presbyterian churchyard to establish a larger cemetery to serve the West Farms community. Butler subdivided this parcel into burial lots that he sold directly to buyers. Though originally two separate burial grounds, over time Butler’s cemetery and the adjoining Presbyterian graveyard came to be seen as one site.By the early 20th century, some 200 individuals had been buried in the West Farms Cemetery, including 35 Civil War veterans. Most distinguished of these is Captain William J. Rasberry, who led his men into the Battle of Cedar Creek, Virginia, and died there, in 1864. The Rasberry family lived along what is today East 178th Street in West Farms.
The area surrounding West Farms Cemetery had developed into a bustling urban community by the early 1900s. With the changing times, the West Farms Presbyterian Church abandoned its hilltop sanctuary and moved to a new building constructed on the church-owned lot on the opposite side of 180th Street. This building, Beck Memorial Presbyterian Church, still stands today.The original church building was used as a gymnasium and recreation hall until it was destroyed by fire in 1948.
Grading and widening of streets in West Farms during the first decade of the 20th century disturbed graves in the cemetery next to the old Presbyterian church building as well as in the forgotten paupers’ burial ground on the south side of East 180th Street. When the public learned that soldiers graves were being neglected and desecrated in the West Farms Cemetery, a committee was founded to protect the site. The committee re-dedicated the cemetery as the West Farms Soldier Cemetery in 1910, and raised funds to improve the property, erect a Civil War monument, and have soldiers’ remains transferred to West Farms from burial grounds at Fort Schuyler and from the Potter’s Field at Hart Island. The final interment at the West Farms Cemetery, of World War I veteran Valeriano J. Tolosa, took place in 1929. The city assumed possession of the cemetery in 1954 and designated it a historic landmark in 1967.Today the roughly one-acre site, surrounded by an eight-foot-high iron fence, is under the care of the NYC Department of Parks and Recreation.
Sources: Beers’ 1868 Atlas of New York and Vicinity, Pl. 13; Hyde’s 1901 Atlas of the borough of the Bronx, Vol. 2, Pl. 8; The Story of The Bronx (Jenkins 1912), 281, 392; The Borough of the Bronx…(Cook 1913), 143-145; “Description of West-Farms,” Daily National Intelligencer, Apr 28, 1813;“Workmen Unearth Skeletons,” New York Times, Jun 19, 1900; “Harlem and the Bronx,” Brooklyn Daily Eagle, Jun 26, 1900; “Dug Up Human Bones,” Brooklyn Daily Eagle, Aug 16, 1900; “Harlem and the Bronx,” Brooklyn Daily Eagle, Sep 14, 1900; “Cutting Through a Cemetery,” New York Times, Sep 16, 1900; “Robbed of His Grave,” New York Times, Mar 5, 1909; “Veterans at Unveiling,” New York Tribune, May 30, 1910; “Take Soldier Dead from Pauper Field,” New York Times, May 29, 1916; “134 Year Old Building of Bronx Church Burns,” New York Times, Jan 11, 1948; “City Will Acquire Soldier Cemetery,” New York Times, May 6, 1954; Old West Farms Soldier Cemetery Designation Report (Landmarks Preservation Commission 1967); Archaeological Monitoring at the Old West Farms Soldier Cemetery (Parsons Engineering 2000); “What Lies Beneath: Cemeteries of the Bronx,” Bronx County Historical Society exhibit, Oct 2017; Cemeteries of the Bronx (Raftery 2016), 267-280
In 1843 the Town of Flatlands, located in today’s southeastern Brooklyn, acquired an acre of land in the township’s village of Canarsie that served as the community’s cemetery during the 19th century. The burial ground—on land purchased from John Remsen for $75—was situated next to the Methodist Protestant Church of Canarsie on what is now East 92nd Street. At the time the town established the burial ground in 1843 the area was a farming and fishing community of about 700 people, but it grew rapidly in the late 19th century, and new suburban houses attracted a more diverse population. In 1888 the town purchased another tract of land, nearby the original burial ground, to be used as a new cemetery for the growing community. Some 6,500 people have been interred in Canarsie Cemetery, which has retained its local ambiance, serving the people of Canarsie as well as the wider community.
Both of the Canarsie cemeteries have been imperiled at various times since the City of New York inherited these municipal properties when the five boroughs merged in 1898. The original burial ground, which was rarely used after the new cemetery opened in the 1890s, was essentially abandoned and forgotten by the early 20th century. William A. Eardeley visited the graveyard in 1915 and recorded inscriptions from the 89 gravestones he found at the site. “This cemetery is not kept up at all,” Eardeley writes in his description of the cemetery. “Fence is almost all gone; about one-third of the stones are fallen down,” he continues. “The yard is full of ill-kept shrubbery. Grass is high. Tins and paper rubbish are all about the yard. People use it as a thoroughfare and children play about the yard.” In 1932 skeletons and coffins in the neglected cemetery were destroyed when a sewer was run through the site in anticipation of the opening of East 91st Street. Soon after, East 91st Street was graded right through the graveyard, cutting the original property into two parts. In 1977, the city sold the segment of the property that was west of 91st Street to a developer and residential buildings now stand on that part of the site. The half-acre that remains on the eastern side of 91st Street has been preserved and is owned by the city’s Department of Citywide Administrative Services. Many remains were moved to the new cemetery over the years, but approximately 80 burials may still be interred at the original cemetery site. No headstones are visible today in this vestige of the old town burial ground.
For many years, things were equally uncertain for the town’s successor cemetery. When ownership of the 12-acre Canarsie Cemetery, bounded by Remsen Avenue, Avenue K, Church Lane, and East 86th Street, was first transferred to the city, its operation was handed over to a board of trustees designated by the mayor. However, by 1924 there was only one trustee, George A. Schriefer, managing the cemetery—all the others had passed away and requests to appoint new trustees had repeatedly been ignored by the mayor’s office. The cemetery was unable to sell plots for three years because legally they could be conveyed only by direction of a majority of the board of trustees. The Brooklyn Standard Union reported that while Mr. Schriefer “does not desire to appear to be in any way disgruntled, he states that he is rather disturbed by the existing situation. However, he has retained the job from a sense of public duty and of loyalty to the community of which has been a resident for over forty years.”
Canarsie Cemetery was subsequently managed by a series of public agencies, including the Brooklyn borough president’s office and the city’s Department of General Services. By the 1970s, the city was determined to sell the cemetery to a private operator with the stipulation that it “continue as a burial ground for people of all races, faiths, and ethnic origins.” It took over 30 years for the city to find a buyer for the cemetery, which cost the city of $350,000 a year to maintain, and during which time there were long periods when no grave sites were sold because of its uncertain future. Finally, in 2010 Cypress Hills Cemetery in Brooklyn acquired Canarsie Cemetery for $50,000, with another $1 million dedicated to a trust fund to maintain the graves once the cemetery fills and can no longer generate money.
When it was sold in 2010, there was space for 6,000 more graves in Canarsie Cemetery, which, except for a few small family mausoleums, is modest, like the residential neighborhood that surrounds it. Entire families have bought plots here for future generations who will share the space with the community’s early Dutch and German settlers, the Italian and Jewish immigrants who came in the 1920s, and, more recently, those from Caribbean nations who have been attracted to the neighborhood. For over 100 years, the cemetery has been the end point of the annual Canarsie Memorial Day parade, where contingents of the Knights of Columbus, American Legion, and Boy Scouts march in full regalia for ceremonies in front of a plot where more than a dozen Civil War veterans are buried. The cemetery continues as a symbol of community pride and cultural heritage for the people of Canarsie, an ever-present reminder of what they were, who they are, and where they are going.
Sources: Robinson’s 1890 Atlas of Kings County, Pl 30; Cemeteries in Kings and Queens Counties, Vol 2 (Eardeley 1916), 3-14; “W. Warner, 85 Dies, Father of Canarsie, Brooklyn Daily Eagle, Dec 28, 1920; “Finds Human Skull,” Brooklyn Daily Eagle, May 2 1932; Documentation of Block 8218, Lot 26, Brooklyn, NY(Geismar 1987); “Correcting A Grace Church Misconception,” Canarsie Courier, July 1, 2010; “Craig Discovers that City Owns Canarsie Cemetery,”Brooklyn Standard Union, Sept 2, 1924; “Fight Canarsie Cemetery Vandals,”Brooklyn World-Telegram, Jan 8, 1965; “City to Undertake Sale Of Canarsie Cemetery, New York Times, Dec 13, 1975; “For Sale in Canarsie: A Beloved Century-Old Cemetery,” New York Times, Dec 2, 1988; “On Going Private: Mayor Wants to Sell Canarsie Cemetery, New York Times, Mar 8, 1995; “For Sale by Owner: 13 Acres. All 6,500 Tenants to Remain, New York Times, May 20, 2009; “A Place of Final Rest in Canarsie Is Changing Hands, New York Times, Aug 4, 2010; Encyclopedia of New York City, 2nd ed. (Jackson et al 2010), 178, 417; Canarsie Cemetery
On a hilltop near the intersection of Flushing and Metropolitan Avenues in Ridgewood, Queens, are two small garden-like cemeteries created in the mid-nineteenth century. Linden Hill Methodist Cemetery is a 21-acre burial ground situated along Woodward Avenue between Starr and Stanhope streets. Established in 1842 by the Second Street Methodist Episcopal Church in Manhattan, in 1852 the cemetery was acquired by the First German Methodist Episcopal Church of Manhattan who operated it until 1977, when it was transferred to the New York Annual Conference of the United Methodist Church. Although owned by Methodist entities throughout its history, Linden Hill Cemetery has always been a nonsectarian, multi-ethnic burial ground. The humble gravestones that fill its grounds mark the final resting place of more than 30,000 people and reflect the area’s shifting demographics—many of the earlier monuments are for German, Italian, and Eastern European immigrants, while more recent graves are predominately Hispanic and African American.
In 1875, Ahawath Chesed, a prosperous German Jewish congregation now known as Central Synagogue and located in midtown Manhattan, acquired a tract of land adjacent to Linden Hill Methodist Cemetery for a Jewish burial ground. Linden Hill Jewish Cemetery occupies 10 acres on the northwest side of the Methodist cemetery, and has its gatehouse at the corner of Metropolitan Avenue and Grandview Avenue. A number of prominent members of New York’s Jewish community lie buried beneath monuments and in mausoleums here, including U.S. Congressman Jacob Javits and businessman Joseph Bloomingdale. In 2008, Central Synagogue sold Linden Hill Jewish Cemetery to David Jacobson, who operates several of the city’s Jewish burial grounds, and today the cemetery primarily is used by recent Jewish immigrants from the former Soviet Union.
Among the notable individuals interred at Linden Hill Jewish Cemetery is theatrical producer and playwright David Belasco, whose family mausoleum occupies a central position at the end of the cemetery’s entrance drive. Designed by Tiffany Studios, the domed structure is of heavy, rough-hewn granite with marble interiors. Belasco built the mausoleum in 1913 in memory of his daughter Augusta, who died three years earlier at age 22. During her life, it was said, Augusta Belasco dreaded the dark; when she was interred in the mausoleum David Belasco and his wife installed a bronze lamp that was kept burning day and night to insure “that beside their dead daughter there shall be kept an eternal vigil of light.” David Belasco was interred next to his wife and daughter in the mausoleum when he died in 1931.